نواختن ویولن سل، ۱۷۸۰-۱۹۳۰

This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway's treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello's gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike. Cover 1 Contents 6 List of Figures 8 List of Tables 10 List of Music Examples 12 Preface 16 Acknowledgements 22 Notes and Abbreviations 24 1 Basic Posture and Bow Hold 26 2 The Left Arm and Hand, and Scale Fingerings 62 3 The Bow in Motion 88 4 Playing with Expression – Portamento 124 5 Playing with Expression – Vibrato 148 6 Vibrato and Portamento in Early Cello Recordings 168 7 The Manly Cello? 196 8 Gender in Action – Performing the Cello 232 9 Conclusions and Speculations 260 Select Bibliography 272 Discography 292 Index 296 Basic Posture And Bow Hold -- The Left Arm And Hand, And Scale Fingerings -- The Bow In Motion -- Playing With Expression : Portamento -- Playing With Expression : Vibrato -- Vibrato And Portamento In Early Cello Recordings -- The Manly Cello? -- Gender In Action : Performing The Cello -- Conclusions And Speculations. George Kennaway. Includes Bibliographical References And Index.