On Balance

“Balancing acts,” writes Adam Phillips, “are entertaining because they are risky, but there are situations in which it is more dangerous to keep your balance than to lose it.” In these exhilarating and casually brilliant essays, the philosopher and psychoanalyst examines literature, fairy tales, works of art, and case studies to reveal the paradoxes inherent in our appetites and fears. How do we know when enough is enough? Are there times when too much is just right? Why is Cinderella’s biggest problem not the prince but other women? What can Richard III’s furious sense of his own helplessness tell us of our own desires? On Balance shows Phillips’s bravura gift for linking disparate ideas and the dreamers that dreamed them into something beautiful, revelatory, and essential. Kirkus Reviews A set of beguiling essays from British psychoanalyst Phillips (Going Sane: Maps of Happiness, 2005, etc.). After the first "Five Short Talks on Excess," entertaining writing holds the other selections together, composed for various British periodicals. The pieces delve into such diverse topics as why we hold fundamentalist beliefs, the ways we gladly subvert ourselves and how the work of Diane Arbus, W.G. Sebald, Daniel Mendelsohn and W.H. Auden ("Forms of Inattention") incites our childish sense of fear and exclusion. Phillips is fascinated by how little we know or trust ourselves, quoting Freud in his ego-and-id analogy-"the not precisely ideal situation of the rider being obliged to guide the horse along the path by which it itself wants to go." In "Excess," the author explores how our reaction to excess in other people-gluttony, greed, sex, religion-reveals a great deal about ourselves: "Tell me which kinds of excess fascinate you, tell me which kinds of excess appall you, and I will tell you who you are." Excess arouses in us specters of frustration, as we have to control ourselves and are frustrated by deprivation. In "On What Is Fundamental," Phillips takes a sober look at the so-called fanatic or extremist, driven "by the logic of his desire to defend tradition . . . forced by the logic of his desire to defend his childhood ethos." Ambivalent and riven by contradictions, modern man resists altering his fundamental beliefs, but might not even know what those really are, or that they might prove destructive to him. In "Negative Capabilities," Phillips, with the help of Shakespeare's Richard III, turns "helplessness" into a positive moral motive and explores universal experiences of perfectionism and feeling lost. Not quite a cohesive collection, but the author provides polished ponderables for all readers. Five Short Talks on Excess* It is very stretchy.Kay Ryan, 'The Fabric of Life'
I In ExcessNothing makes people more excessive than talking about excess. We tend to become either extremely disapproving or unusually enthusiastic and excited about the most recently reported celebrity orgy, or managing director's pay rise. No one can be indifferent to binge drinking, or the amount of pornography on the internet; everyone knows someone now who has a so-called eating disorder, and everyone knows about the huge numbers of people in the world who are starving. Excess is everywhere now - excesses of wealth and of poverty, of sex and greed, of violence and of religious belief. If the twentieth century was, in the title of historian Eric Hobsbawm's book, The Age of Extremes, then the twenty-first century looks like being the Age of Excess. When people are being extreme they push things to their limits; when they are being excessive they push things beyond their limits.I want here to explore our fear and loathing, our fascination and craving for excess in all its forms. And I want to bear in mind something very strange about excess, something best pictured perhaps by the extraordinary consumerism of Western societies, or by the religious and anti-religious fanaticism in contemporary culture; and that is that excess is contagious. Nothing makes people more excessive than talking about excess.Like a lot of the words we use very easily, 'excess' is older than we imagine. The Oxford English Dictionary dates its earliest, most literal meaning of 'the action of going out or forth' to the fifteenth century; 'excess', in its original use, being the opposite of 'access'. And this, too, I think is something we should bear in mind: access, if you like, is the freedom to go in; excess is the freedom to go out. But when we are excessive what are we going out from?Here, again, the dictionary can help us, and this time into more familiar territory: when we are excessive we 'depart from custom [or] reason', we 'overstep' limits, we go beyond our 'rights'; we are involved in what the dictionary calls 'extravagant violation of law, decency or morality', we are guilty of 'outrageous conduct'. When we are excessive, in whatever way, we depart from what is considered appropriate behaviour; we go out from, we abandon, the version of ourselves we are supposed to be. And where do we get our standards of appropriate behaviour, our pictures of ourselves as we are supposed to be? From the societies we grow up in. Excess, the dictionary reminds us, is not simply the violation of law, decency or morality, it is the 'extravagant violation of law, decency or morality'. So excess covers a whole gamut of experiences from exaggeration to breaking the law, from boasting to genocide. The anorexic and the suicide bomber, the attention-seeking child and the compulsive gambler, the person who has more money than he needs and the person committed to celibacy are all involved, in their different ways, in extravagant violations of law, decency or morality; even though, of course, they may not see it this way. And this, too, is important when we are thinking about excess: what is excessive to one person may be to another person just an ordinary way of life. The devoutly religious are not, in their own view, over-doing it; terrorists are not, in their view, overreacting to the injustices they feel they have suffered. Indeed, one of the ways of describing many of our personal and political and religious conflicts is that someone is trying to persuade someone else that they are being excessive: excessively cruel, excessively disrespectful, excessively unjust. So we need to remember just how much can hang on our definitions of excess. I want to consider here what might make us feel, in any given situation, that someone is being excessive; and what, when we feel people are being excessive, we want to do about it. Our knee-jerk reaction is often to want to punish them, and often excessively. And yet people usually punish each other when they don't know what else to do; which is why punishment is so often beside the point, an excited failure of imagination. Punishment is despair about the rules, not their enforcement. So it isn't just that excess is contagious, but that other people's excess permits us, or even frees us, to be excessive ourselves. Our reactions to other people's excesses - of violence, of appetite, of belief - are, as we shall see, extremely revealing. 'All truths,' the philosopher Alain Badiou writes, 'are woven from extreme consequences.' There are also truths woven from excessive consequences.But perhaps one thing we shouldn't lose sight of is just how reassuring the whole idea of excess can be; when we are not permitted to take excess baggage on the plane it is because somebody is keeping an eye on our safety, somebody knows how much the plane can take. In other words, what is reassuring about the idea of excess - about our being able to think that someone is being excessive - is that it implies that we know our limits, that we have a sure sense of the proper way to behave, that we know what is appropriate and right. Every time we have the moralistic version of the excess experience - the righteous indignation, or rage, or grief about the transgressions of other people - we relocate ourselves, firmly and safely, within the rules, the protective walls, of our societies. In these moments we are reminded of how the world should be, and that someone who knows the rules and can enforce them is looking after us. The child who has a tantrum is trying to find out if his parents are robust, whether they can withstand his hatred and rage and frustration. In this instance excessive behaviour is an opportunity for the parents to remind themselves, or for society to remind itself, of established rules and regulations. It reassures us to see that we clearly know what the rules are because we are outraged when they are broken.If we are so good at spotting excessive behaviour when we see it - excessive eating, excessive sex, excessive shopping, the excessive beliefs of religious fanatics - then we must know, or think we know, what just the right amount of these things is. If we can recognize greed when we see it, we must know how people should eat; if we can be appalled by the sexual excesses reported in the tabloids, we must know what kind of sex people should be having, and how often they should be having it; if we are full of righteous indignation about people we think of as 'religious fanatics', we must surely have very strong ideas about how much people should believe things, about what people should believe in and what their beliefs should drive them to do. But what is the right amount of belief? How do we know when someone's grief is excessive? Perhaps when it makes us feel something more excessive than we would like to feel?There is an obvious irony here: many of the things that matter most to us - like love, or grief, or appetite, or violence, or political and religious belief - cannot be measured; and yet one of the things we are most alert to, one of the things we speak about with the most passionate conviction, is when we feel these things have become excessive. It is as if we have our own internal measure of these things that can't be quantified; and this internal measure is one of the most important things about us. How could we live without a sense of what is excessive? Indeed, as I have said, is it not striking how excessive we can be in our reactions to other people's excesses? Nothing makes us more excessive than excess; nothing makes us more disapproving, disgusted, punitive - not to mention fascinated, exhilarated and amazed - than other people's extravagant appetite for food, or alcohol, or money, or drugs, or violence; nothing makes us more frightened, more furious, more despairing than other people's extreme commitment to political ideals or religious beliefs. It is, one should notice, almost always other people who are being excessive in their belief, not oneself. 'One is never, in any way whatever, overwhelmed by another person's excesses,' the French psycho analyst Jacques Lacan once said, 'one is only and always overwhelmed because their excesses happen to coincide with your own.' From a psychoanalytic point of view other people's excesses disturb us, get us worked up, because they reveal something important to us about ourselves; about our own fears and longings. Indeed, other people's excesses might reveal to us, at its most minimal, that we are, or have become, the excessive animals; the animals for whom excessive behaviour is the rule rather than the exception (there are laws of human nature, but not for us). You only have to read the newspapers to realize that this is a plausible possibility. Our excesses may be in excess of our capacity to understand and to regulate. And if we have become the excessive animals we may have to do more than merely aspire not to be.When Lacan suggests that we are only overwhelmed by other people's excesses because they are the same as our own he is not simply saying, for example, that our horror about drug addiction means that we are secretly tempted or prone to become drug addicts; but that drug addiction may be a picture, say, of how fearful we might be generally of our own dependence, how terrified we are of becoming enslaved to the people we need. And drug addiction can also be a picture of how tempted we are to try to become everything that the person we love needs; to become, in a way, their drug of choice. In other words, Lacan's point is that our reaction to other people's excesses is an important clue to something vital about ourselves; our reflex response to other people's excessive behaviour - the thrill of righteous indignation, the moral superiority of our disgust - is more complex and more interesting than it at first seems. If other people's excesses reveal the bigot in us, they also reveal how intriguing and subtle the bigot is. There is nothing more telling, nothing more revealing of one's own character and history and taste, than one's reaction to other people's excesses. Tell me which kinds of excess fascinate you, tell me which kinds of excess appall you, and I will tell you who you are. This would be one, excessive, way of putting it. Or one could more sensibly say: notice which excesses you are drawn to (and there is, of course, an excess of excesses to choose from now - road rage, fundamentalism, self-improvement, shopping), the ones you can't stop complaining about, the ones that make you speak out, or the ones that just give you some kind of secret, perhaps slightly embarrassing pleasure, and try to work out what about them is so compelling.Excessive behaviour, it seems obvious to say, attracts our attention; what is perhaps less obvious is why it should do so. We are excessively interested in the excessive behaviour that interests us; and to be excessively interested is to be more interested than we would like to be. So even though it would be silly to say that our reaction to other people's excesses is the key to our nature - because there is no key to our nature - it is true to say, I think, that our reactions to other people's excesses reveal to us what our conflicts are. I don't want to be a drug addict, but I do want to be free to need someone; and I don't want to lose my life when I do need them. I don't want to be a suicide bomber, but I may want to have something in my life that is so important to me that I would risk my life for it; or I may simply want to be aggressive enough to be able to protect the people I love. Or I may even want to have the courage of my despair. The excesses of other people, and of ourselves, can make us think, rather than merely react. Indeed, something as powerful as excess might - if we can suspend our fear - allow us to have thoughts we have never had before. After all, inspiration, falling in love, conversion experiences, a sense of injustice - the most radical transformations that can occur in a life - are traditionally overwhelming, excessive experiences. Even though we often want to get over them, to get back to normal as quickly as possible. 'For the doctrine of conversion,' the Victorian classicist Benjamin Jowett wrote, 'the moralist substitutes the theory of habit.' And nothing, of course, is more excessive than a habit.So perhaps when the poet William Blake wrote in his 'Proverbs of Hell' that 'The road of excess leads to the Palace of Wisdom', he wasn't joking? We don't tend to look to anorexics or gluttons, to the extravagantly rich or the promiscuous, for wisdom; we don't think of drug addicts or mass murderers as necessarily enlightened. So perhaps Blake was being ironic; they are, after all, 'Proverbs of Hell'. Perhaps the road of excess, through the very disillusionments it produces, is a source of wisdom; that it is not the alcoholic but the recovering alcoholic who has something to tell us. Perhaps as part of growing up we need to be excessive - to try to break all the rules just to be able to find out what, if anything, the rules are made of, and why they matter. Perhaps only the road of excess can teach us when enough is enough. (And perhaps 'perhaps' - like all our cherished rhetoric of self-doubt - is one way we temper our excesses in language.) As Blake says, in another of his proverbs, 'You never know what is enough unless you know what is more than enough.' Either certain kinds of excess are not simply good for us, but essential to our well-being; or we need to go through excessive experiences to discover what they can't do for us, to discover just how much of something we really need. But what is a Palace of Wisdom? And why would that be a good place to go to? Excerpted from On Balance by Adam Phillips.
Copyright © 2010 by Adam Phillips.
Published in 2010 by Farrar, Straus and Giroux.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. * These were talks for BBC Radio 3 and have been kept in their original form.


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